Thursday, May 13, 2010
Hayavadana
The play was titled ‘Hayavadana’ and was written by Girish Karnad. The play was punctuated by some belligerent performances from the production house, The Benaka group. To give a brief outline of the play, it was the story of two friends; one a Kshathriya and a wrestler named Kapila and the other a learned Brahmin, Devadutta. They end up falling in love with the same woman, Padmini. Suspicion and drama climax with both of them ending up committing suicide at a Kali shrine. A distraught Padmini is saved of her suicide attempt by the appearance of Kali (A special mention to the actor who played the uber cool Kali). The two men are brought back to life by Kali, but with their heads transposed. Both men are extremely joyous at the result, much to the relief of Padmini. It seemed like they both desired each other’s strengths so much that they were least bothered by the absenteeism of their initial strengths. Kapila becomes Devadutta’s body and Devadutta becomes a wrestler and a man of knowledge. I could not understand why Kapila was celebrating as he lost his wrestlers body and gained the body of a Brahmin. It soon was clear that it was for Padmini, Kapila’s argument being she should go with the body of Devadutta rather than the head. An enraged Devadutta dispels Kapila with his swanky new wrestler body and they walk away to their house leaving a distraught Kapila; who goes into exile. The rest of the play focuses on how the bodies gradually transform to match their heads and how Padmini is left with discontentment. A parallel plot is also in the play, the story of a Hayavadana, a half horse half man who yearns to be complete. He finally becomes a complete horse rather than a complete man!
This play is the embodiment of incompleteness and fallacies, from all the characters involved. The title of the play is actually of the sub plot than the main play, an attempt to show fallacies exist in all facets? The differences between the two friends are brought out well in the initial part of the play. They both are very much human and incomplete as they are shown appreciating each other’s qualities throughout the play leading on to jealousy and suspicion. Padmini’s character that seemed to be shaping up well also exposes her inadequacies when she lusts after Kapila after the heads are transposed, culminating in her going to find solace in Kapila. Lord Ganesha is also brought on in the beginning of the play, a symbolic gesture in the play of the lord’s shortcomings as well, because of his elephant head and human body. The play of transposing heads actually implying transposing realities. The play poses a question as to the conflict we often face if to go with our head or our body characterized by Padmini’s dilemma, her choice of the head is in trend with social dogma of our times. The play also highlights man’s go-getting attitude to better oneself in spite of his limitations, as manifested by how the bodies adjust to their heads after being transposed. The comic relief was provided by the two talking dolls and Padmini’s son essayed brilliantly by some cute tots.
The style of the play was audience involving and very different from western theatre. It drew a lot from rural theatre. The play was laced with folk songs, although the lyrics were tough to understand. It was a narrative style wherein the Bhagavatharu (narrator) poses questions to the audience and involves them with the characters and the complexities they face. There seemed to be a lot of Yakshagana style music and dance involved in the play. Another dance form was the Byalata style. All in all it was an excellent play, production and evening made prolific by two of Karnataka’s theatre stalwarts. Thank you Mr Girish Karnad and Rangaguru B.V. Karanth!!
Wednesday, April 28, 2010
ART IMITATING LIFE OR LIFE IMITATING ART?
The argument of life imitating art or art imitating life is one of the common arguments baffling critics. One of the few instances one can convince a declaration on life imitating art is in our own Bollywood. Not just Bollywood but Indian cinema. The Indian cinema is so deeply embedded in the Indian psyche that people believe what happens on screen is the reality around them.
The way we treat our heroes and villains is testimony to that. They are not just actors as the emotion of the protagonists and the people are entwined in Indian cinema. There have been instances of people hating the character of the villain so much; Puneet Issar who injured Amitabh Bachan on the sets of 'Coolie' could not find work for a long period of time because of the accident. The instances are numerous; the government seemed convinced when they banned smoking on screen. They thought kids would be influenced by the heroes smoking on screen. By actually banning it, the bad boy image that goes with smoking was glorified even more. Just take a look at a typical Indian cinema, it is romanticism and senseless idealism, the attributes are plenty in this context. The stereotyping of social classes is plenty, and the dances, where do i even start? The censor board actually censors what is realism and keeps the fantasy part of it on the reel. The dances are laced with jhatkas and matkas of the heroes & heroines; subtle and not so subtle indications of what they want to do to each other (licking their lips, thrusting their pelvis all over the place, biting the tongue and lips to show how strongly they feel for each other) CENSOR THIS! From such movies stems the perfect anti hero on the Indian street. The guys think if they make catcalls the girls will find a compliment in it somewhere, like the regional movies. Indian cinema has shown time and time again that perseverance and aggression is the key to get a girl. How many cases have we heard of women/girls being raped because the boy liked the girl so much that only he should have her? What does he do? Rape her! A tainted girl will obviously want to marry soon enough and given the Indian male’s hypocrisy for virgins, he is the alpha male she has to choose ( Raja ki aayegi barath). The portrayal of Indian women has traditionally been weak too albeit a few films, that were critically acclaimed.
I am not generalising Indian cinema to just life imitating art, it is just excessively found to be so. There are wonderful cinemas that have portrayed art imitating life too, especially in the recent decade. The multiplex era has appreciated the Indian intelligence and grown in stature ever since. But they seem to have been looking westward for inspiration, inspiring a new argument. ART IMITATING ART?
Tuesday, April 13, 2010
What the f***'s a BLIMP??


A blimp is defined as a nonrigid airship that depends on internal gas pressure to sustain itself in the skies. It came about during the late 1920’s as an anti-submarine patrol airship for the British royal navy. It was commissioned off of the navy by the 1960’s. Since then it has been used in America as an advertising tool. The outdoor sports advertising era for the blimp began with Goodyear which still use this in the America’s cup yacht race.
This technology is well over 80 years old and has served its purpose all over the world. But the IPL seems to have been a renaissance stimulus in the life of the blimp. In every match you can hear the commentators have a go at what they deem to be some wonderful technology. What exactly? The commentators never say, do they? SMG recently even said something to the tune of MRF being a technological leader in bringing this technology to India. I hate to break it to you SMG but the IPL blimp isn’t even a blimp. A blimp is used for observation purposes and also for aerial shots. This is where the technology lies and both the technologies aren’t being addressed in the MRF blimp. This blimp doesn’t even move. It is tied down to a motorable vehicle on the ground. There is a word already for such objects. It is called a ‘balloon’. The blimp is nothing but a floating balloon with a sponsor’s name. It seems like a full circle for MRF which started as a toy balloon manufacturing company back in 1946.
Friday, March 26, 2010
Coalition Poltics
One of the biggest disadvantages of a coalition is instability due to conflict of interests. During the Indo-us nuclear deal, there was a lot of anxiety in the Indian political diasporas. The vulnerability of a coalition government was exposed when the left withdrew its support in the standoff with UPA on the nuclear deal. Soon enough the opportunistic Samajwadi party stalwart Amar Singh jumped onto the coalition bandwagon. This had Mukesh Ambani twiddling his fingers as he knew his brother Anil’s proximity to Amar Singh. A chain reaction ensued as Mukesh arranged a meeting with Manmohan Singh seemingly to protect his interests. This made news all over as his actions weren’t hard to read. It invoked a reaction from Amar Singh too as he proclaimed he would push for a tax on private oil refineries in the country, which could seriously curtail Mukesh’s expansion plans. This has set up a dangerous precedent in the Indian scenario. In the words of Paranjoy Guha Thakurta, a political commentator, it was the case of “The tail that can wag the dog”. The effects of Singh’s declaration was a fall in Mukesh’s stocks & it turned even more bitter when Mukesh stopped Anil’s Reliance telecommunication from merging with MTN stating his permission was required for the deal to go through. Amar Singh called Mukesh’s act disgusting and flexed his new found political muscle by asking the PM to interfere. A small regional party was having a tidal effect on the Indian political and business scenario. This does not augur well for a developing country like India as it shows politics and business are entwined. It reflects poorly about the country’s image to the rest of the world and possible investors. Since then there have disinvestment policies that the government has failed to carry out bogging down to pressure. The PM seems to be protecting party interests rather than act at the behest of our country’s development. Coalition parties in developing countries do not augur well for our development. Everyone only needs their slice of the pie and serve their self interests.
But averting a coalition government is no easy job once we decide that it is a hindrance in development. The decision is in the hands of the people and this fundamental trait of democracy has to be respected. One of the ways I think it can be avoided is to curtail the formation of regional political parties. Parties are mushrooming all over India in the name of religion, caste, creed and of course the opportunists. Such narrow minded splitting up of the Indian proletariat and bourgeois does not adhere well for the populace. For instance Baba Ramdev launched a political party stating he wants to cleanse the political system and get back money from banks in Switzerland which he in turn believes will automatically make India a superpower. That is actually his basis for forming a political party. There was news item wherein people of the gay and lesbian community wanted to form a political party because they are tired of being misrepresented on TV. Do you think we should blame them for having such short term motives? No, cause the election commission doesn’t care too much. So, why not have your own political party? We also have to get down to improving the quality of votes. In permitting only the educated to vote will wipe out nearly half the vote bank. It will only result in increasing the discrepancies between the rich and the poor, with the rich getting richer and the poor getting poorer. A better option would be to increase the present voting age to 21. It will definitely improve quality as a lot of graduates would come into the fold.
To change the onus is on us. Convention alone doesn’t dictate what is right. Just because people break a traffic light we should not take it for granted and do so too. We can show alternate paths to people by being pro-active ourselves. You might not stop everyone but someone might just become aware that he is at fault and some others might even follow your lead too. I do hope we can change and inspire others to change. The idea of a democracy is to place power within us. We can get rid of this menace in our country and elect a responsible government only if we believe. ‘VOTE RESPONSIBILY’.
Tuesday, February 9, 2010
Memorable Quotes
• Travelling is the best education a man can get.(Anonymous)
• If you have to enjoy life, being fit is necessary.(Vikram Muthanna)
• People change with time.(KUP)
• Even a rapist can be nice; for the few minutes you spend with them.(KBG)
• No matter the magnitude of a persons achievement, he is human.(KBG)
• Before each meal ask yourselves, 'have i earned this'? (KNK)
• The best fertilizer a planter can provide to his estate are his own footprints.(KNK)
• You have to care about society, not have society care about you. (KKU)
INDIA & ORGANISATION
In talking about the CWG screw up.; I remembered about the Sydney Olympic Games, the authorities of the games actually thought the city would go into post games depression on completion of the games. So, what did they do? They actually organized fairs and festivities thereafter slowly phasing the festivities out. They did this thinking abrupt ending of the games would affect societal working thereon. This is what development and forward thinking is all about. This is exactly what differentiates great organisers from mediocre ones. The difference between a developed nation and a developing one is clearly illustrated here. We can only talk about being a permanent member of the UN, being a superpower by 2040, being the fourth country to send a manned mission to the moon blah blah blah...... What purpose does this all serve? It is internal development we should be focussing on rather than our portrayal and image building of our country to the world. We still have more than 300 million people who are below poverty line in India. Our healthcare sector is still sub-standard. Aren’t these issues that have dealt with immediately?
Tuesday, January 26, 2010
Un-Sociable networks
Human beings have a tendency to advertise themselves, to be seen, heard etc. The rise of social networks only cements this fact. In 6 years these sites have taken centre stage in the lives of millions of teenagers. I am often asked if i am on any one of these sites. I doubt if i'll ever be. I'm sure the advantages of being on them is plentiful. But am i missing out on something by not being on these sites? I don't think so. My cousin says facebook is for people who can't make friends in real life. Ironically the man has a facebook account. When i asked him about the mismatch between walk and talk, he said he did it to look up on people. A stalker. I did find it interesting enough and using my sister's id i checked up on a lot of people thereon. Each profile seemed to reflect who the person wanted to be than who the person was. Some of them were plain pretentious. I know 'who am i to pass judgement on people', right. But it's my fuckin blog. I am not going to write about the obvious threat of paedophiles, sex stalkers, recently in india even kidnappers. They way i see it people start living two lives one virtual and one real. Nothing wrong with that. The trouble is when they find it easier to live the virtual life. There are kids who are as young as 8 on facebook. I dont know if they have an active social life. Chances are they do. But they might take solace in the virtual world than deal with the tougher reality. I actually came across lot of instances where people would not say a face to face hello but would send friend requests on social networking sites. There is something really wierd about that. They probably couldn't face rejection in reality so they go the virtual way. I truly believe that these social sites will have a negative effect on building social relationships and inter-personal relationships.
Another ill effect would be to cocoon yourself into a groupthink. By groupthink i mean there are so many groups in face book, orkut etc. When you are part of such groups you vision, creativity is narrowed. There exists prejudice in belonging to such groups, you tend to be peer influenced and subscribe to dogma. It is nice to find someone else who listen to Belle & Sebastian on these sites. But i find it also nice to enjoy something by meself also & discover stuff on my own.
I recently came across a site where you can commit virtual suicide by 'killing' yourself on this site. This stuck me as quite stupid. Is it necessary i make a drama of a simple act of deleting my profile. It seems like the internet has succeded in making people feel like celebrities by indulging in celebrity like behaviour.
They call it social networking but oddly it has made people more doleful and unsociable to their immediate environment.